Features that we’ll be looking at in this Insight include: That’s right, as I write this Insight, the 10.2 Update was released a week ago and there are significant changes that affect our Color Correction workflow. We will also take a look at the new FCP X 10.2 Update In this Insight, I’ll select one of the many, many, many Looks that ship with FCP X and then show you why I might use it for a reference but will generally rebuild that look from scratch. But for now, let’s start with what Final Cut Pro X gives in its core filter set. This is true even when, later in this series, we look at a heavy-duty look-creation package like Magic Bullet Looks. Look creation is MUCH easier if you’ve already done your ‘base’ corrections and shot matching This means we work systematically through our ‘process’, add filters at each stage of the color correction process-allowing us to save our previous work if we (or our client) change our mind and now, at the Look creation stage, is when our hard work really bears fruit.
And we’re doing all this with nothing more than the FCP X base filter setīut we’re also doing this within the context of a professional color correction workflow.
How to create Looks in FCP X 10.2: Part 1 The Final Cut Pro X Desert Island Challenge: Part 8 Tutorials / FCPX Desert Island Challenge / Creating Looks in FCP X: Part 1 Series
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